Showing posts with label Kenji Omura. Show all posts
Showing posts with label Kenji Omura. Show all posts

Sunday, February 8, 2015

Hiroshi Sato - Super Market (1976)


















Some readers may know the late Japanese pianist Hiroshi Sato from his excellent Awakening record with Wendy Matthews, or his work with folks like Haruomi Hosono and Tatsuro Yamashita (who, according the Japanese Wiki, called him Japan's greatest pianist). We have some other great, if more subdued albums of his however, starting with Super Market, his 1976 debut. There are some funky jams here, but nothing approaching the heights of the best Boogie or City Pop sounds that would appear in the next few years in Japan, in our opinion. What we're really digging are the Wilson-influenced, lightly fusion/"island sounds" rays caught from tracks like "レインボー・シーライン" and "Night in L.A.".

While it's difficult to find a detailed list of contributors without a physical copy, such notables as Shuichi "Ponta" Murakami, Ryuichi Sakamoto, Minako Yoshida, Kenji Omura, Yoshida Minako and
Kenji Takamizu appear on the record.


Tracklist
A1私の彼氏は200歳
A2レインボー・シーライン
A3F. W. Y.
A4用意はいいかな
A5Night In L.A.
B1High Times
B2いとしのマリー
B3スーパー・マーケット
B4パラダイス
B5For Jun

ENJOY!



Thursday, August 9, 2012

[REQUEST] Taeko Onuki - Copine (1985)



Close to a year ago, I posted a Taeko Onuki (or Ohnuki) best-of album. Today, for my 100th post, I have--by request--Onuki's 1985 record Copine. This excellent record employs the Francophilia that seems to have been common in Japanese music during the 1980s, with songs about Tintin (I know Herge is Belgian, but Onuki uses the French title, "Les Aventures de Tintin") and Jaques-Henri Lartigue. Folks like Ryuichi Sakamoto and Kenji Omura play instruments. While I prefer the more technopop jams to the ballads, this is still a good album and I recommend it.

From Discogs:
"Active since the early 70s, Taeko's first role was as a member of Sugar Babe with Tatsuro Yamashita. In the mid-1970s she began to release solo albums, regularly collaborating with Ryuichi Sakamoto and other members of the Yellow Magic Orchestra. Taeko appeared on Sakamoto's No More Landmine single in 2001 alongside David Sylvian and Cyndi Lauper and in 2010 is releasing an album and touring with Sakamoto."



A1 Les Aventures De Tintin
A2 ベジタブル
A3 春の嵐
A4 Siena
A5 Amico, Sei Felice?
B1 Out Of Africa
B2 Leave Me alone
B3 Jaques-Henri Lartigue
B4 しあわせな男達へ
B5 野辺

Arranged By: Nobuyuki Shimizu, Ryuichi Sakamoto, Yasuaki Shimizu
Backing Vocals: Epo
Bass: Will Lee
Drums: Omar Hakim, Steve Ferrone
Guitar: Kenji Omura
Keyboards: Ryuichi Sakamoto
Piano: Don Grolnick
Producer: Shigeyuki Miyata, Taeko Ohnuki
Saxophone: Michael Brecker
Trumpet: Randy Brecker

I should probably post the Onuki albums that were once posted on the departed Japanese Music Vault blog (can't even find it on the Wayback Machine). That Project Green record is still coming.

DISCOGS
PLEASE ENJOY

Sunday, March 4, 2012

Akiko Yano - Ai Ga Nakucha Ne (1982)



I've got a week break from grad school, so I'll hopefully be able to get a couple of posts up in the next few days. I'm still slowly fixing all the broken links in the archive. Anyway, here's a Technopop classic from Akiko Yano, Ai Ga Nakucha Ne, from 1982. Discogs provides a wealth of credits, especially when you combine the listings found here and here. These are perhaps the most detailed credits I've ever seen, and include "Nurse" and "Transportation".

Yano does it all here, with a lot of help from Sakamoto. The rest of the YMO/Yen gang show up as well, including Kenji Omura. David Sylvain sings the duet lullabye "Good Night" which closes out the album. Steve Jansen and Mick Karn from Japan also play on the album. Prolific session players David Rhodes and Shinichi Tanaka contribute as well. Kazuhiko Kato even shows up in the credits.



INFO:
Akiko Yano– Ai Ga Nakucha Ne
Label: Japan Records – JAL-1801 (LP), MIDI Inc. – MDCL-1252, MIDI Inc. – MDCZ-1227 (CD)
Format: Vinyl and CD
Country: Japan
Released: 1982 (LP), 21 Sep 1993 (CD)
Genre: Electronic
Style: Synth-pop

TRACKLISTING:
01. Ai Ga Nakucha Ne
02. Kanashikute Yarikirenai
03. What's Got In Your Eyes
04. Oishii Seikatsu
05. Michi De Battari
06. Onnatachiyo Otokotachiyo
07. Aisuru Hito Yo
08. Sleep On My Baby
09. Another Wedding Song
10. Donnatokimo Donnatokimo Donnatokimo
11. Good Night

PERSONNEL:
Akiko Yano: Production, Vocals, Arrangements, Keyboards.
Ryuichi Sakamoto: Production, Arrangements, Keyboards, Vocals.
David Sylvain: Vocals
Haruomi Hosono: Bass
Mick Karn: Bass, Vocals
Steve Jansen: Drums, Vocals
Yukihiro Takahashi: Drums
Shinichi Tanaka: Engineering, Mixing
Steve Nye: Engineering, Mixing
David Rhodes: Guitar
Kenji Omura: Guitar
Robbie Mackintosh: Guitar
Motoya Hamaguchi: Percussion
Hiroki Komazawa: Steel Guitar
Shigesato Itoi: Lyrics
Peter Barakan: Lyrics
Yuji Takahashi: Lyrics, Writing, Production
Masafumi Oka: Lyrics, Writing, Production
Kazuhiko Kato: Writing, Production
Hachiro Sata: Lyrics

Masayuki Takahashi: Artwork
Takashi Nomura: Artwork
Hiroshi Okura: Management
Chiaki Shimada: Make-up
Noriko Yamanaka: Nurse
Hayami Koshiyama: Transportation
Bishin Jumonji: Photography
David Wooley: Tape Operation
Michio Nakagoshi: Tape Operation
Renate Blauel: Tape Operation

DISCOGS
AMAZON
US WIKI
JP WIKI
PLEASE ENJOY

Saturday, August 13, 2011

Taeko Onuki 大貫妙子 - Best 1978-1984



Here is one of several Taeko Onuki collections. Hopefully I'll follow this post with her early albums. I don't have personnel for a lot of the tracks, but certainly the members of YMO and Kenji Omura are involved, as well of Onuki's old Sugar Babe band-mate Tatsuro Yamashita. I could likely compile a list of players by cross-referencing the tracks with the albums and singles they originally appeared on, so perhaps I'll do that. For now, enjoy this best-of, which confidently pulls in fusion, technopop and dramatic idol directions.



From Discogs:
"Active since the early 70s, Taeko's first role was as a member of Sugar Babe with Tatsuro Yamashita. In the mid-1970s she began to release solo albums, regularly collaborating with Ryuichi Sakamoto and other members of the Yellow Magic Orchestra. Taeko appeared on Sakamoto's No More Landmine single in 2001 alongside David Sylvian and Cyndi Lauper and in 2010 is releasing an album and touring with Sakamoto."

The tracklisting on Discogs doesn't match the tracklisting on my rip, so I really don't know what's up. Anyway, here is the Discogs tracklist, and here's mine:

01 - 夏に恋する女たち
02 - 海と少年
03 - ピーターラビットとわたし
04 - 黒のクレール
05 - RECIPE (調理法)
06 - 新しいシャツ
07 - 恋人達の明日
08 - じゃじゃ馬娘
09 - 雨の夜明け
10 - 色彩都市
11 - CARNAVAL
12 - グランプリ
13 - 横顔
14 - 夏色の服
15 - 若き日の望楼
16 - 宇宙みつけた
17 - メトロポリタン美術館
18 - 風の道
19 - 突然の贈りもの



Discogs also says:
Label: BMG Japan
Catalog#: BVCR 18007-8
Released: 23 Jun 1999

Backing Vocals: Epo
Bass: Haruomi Hosono
Drums: Yukihiro Takahashi
Guitar: Kenji Omura
Keyboards: Ryuichi Sakamoto



DISCOGS
OFFICIAL SITE
LAST.FM
JP WIKI
PLEASE ENJOY

Wednesday, August 3, 2011

Kenji Omura – Spring Is Nearly Here 春がいっぱい (1981) [REQUEST]



Happy to oblige a request from Blogspot user "theillmasta," Kenji Omura's third solo album Spring is Nearly Here 春がいっぱい from 1981. Fusion-master and YMO's touring guitarist, Omura sadly passed in 1998 of liver failure at the age of 49. Omura's earlier albums are more fusion-specific, but with this record Omura adapts more of an Technopop style, recruiting all of YMO (and associates) for an album more in-line with the Alfa Records sound.

Omura's pals from Yellow Magic Orchestra serve as his backing band, with Takahashi and Sakamoto helping with production and writing on select tracks. YMO/YEN friends Akiko Yano, Toru Okada, Hideki Matsutake (Logic System), Shinya Hayama, and Kazuhiko Kato contribute as well. Mainstay Chris Mosdell provides lyrics.

The album's style rests somewhere between gentle fusion and Technopop, with relaxed, deliberate instrumentation and scattered, textural vocals. Tracks one and three, "Intensive Love Course" and "Seiko Is Always On Time" present fusion whimsy up front with nevertheless still, deliberate synthesizer, with Sakamoto co-producing "Seiko". The second jam, "Under Heavy Hands And Hammers", is more melancholy, with grand, stately vocals and a mild guitar solo (both from Omura). This is the first of several moments that isn't completely successful, risking maudlin over-statement.



The two covers on the album are low-points as well, Omura & co. tackling George Harrison's "Far East Man" and The Shadows' "Spring is Nearly Here" (an odd track to name the album after). To me Omura's cover of Harrison and Ron Wood's "Far East Man" is an unadventurous version of a song I already don't like. This track really communicates the worst of Omura's fusion background, actually sounding like tedious 70s soft rock. Lyrically, it's hard to say if the selection is ironic, given the "white man's burden" message hidden beneath Harrison's good intentions. I'm no Beatles scholar, so if anybody knows more about what Harrison is getting at with this track, let me know. Nice backing vocals from Akiko Yano anyway. Two tracks away is a surprise Shadows cover, morphing the 60s British pop group's proto-surf song into a half-finished sounding jam, nevertheless displaying the same level of underwater stasis as much of Spring is Nearly Here.



"Knife Life" brings the listener back to a proggy, fusion place, but is ultimately all tension and no release, plodding along to its unsatisfying fade-out. "The Prince of Shaba" is more successful, an assertive signature-Omura instrumental. This jam resolves itself nicely, with a lot of reverby, surfy "island-sounds" guitar, whimsical synth chirps and added percussion from Shinya Hayama.



Still, the highlights of the album are the two Takahashi-written tracks, "The Defector" and "Maps" (an YMO original). "Defector" is very Alfa, with Takahashi's signature driving yet pensive rhythm arrangement and decorative, trilling synths and guitar flourishes. Interesting that Peter Barakan wrote the lyrics to this song and not Mosdell. "Maps" is wild, a heavy marriage between Omura's fusion guitar and the YEN/Alfa aesthetic. These two jams have assertive vocals, Omura even doing his best David Byrne impersonation on "Maps".

While I can't give this album a ringing endorsement, there are enough solid jams here to warrant a listen, for sure. Certainly, this fills a gap in the YMO/YEN/Alfa story, and in Omura's more fusion-centric discography, as his most Technopop solo material. Enjoy!



TRACKLISTING
01. Intensive Love Course
02. Under Heavy Hands And Hammers
03. Seiko Is Always On Time
04. Far East Man (George Harrison cover)
05. Knife Life
06. 春がいっぱい (Spring Is Nearly Here) (Shadows cover)
07. The Defector
08. Inaudible
09. Maps
10. The Prince Of Shaba

CREDITS (from Discogs)
Music - Kenji Omura (tracks 01, 02, 03, 05, 08, 10)
- Yukihiro Takahashi (tracks 07, 09)
- Ryuichi Sakamoto (track 03)
Lyrics - Chris Mosdell, Peter Barakan (track 07)
Backing Vocals – Akiko Yano (track 04), Yukihiro Takahashi (track 07)
Bass – Haruomi Hosono
Drums – Yukihiro Takahashi
Guitar – Kazuhiko Kato (track 04), Kenji Omura
Keyboards – Ryuichi Sakamoto, Toru Okada
Percussion – Shinya Hayama (track 10)
Piano – Akiko Yano
Programmed By – Hideki Matsutake
Vocals – Kenji Omura
Track 04 lyrics and music - Ron Wood, George Harrison
Track 06 music by - Brian Bennett, Bruce Welch

Label: Alfa Records
Catalog#: ALR-28013

Discogs
Japan Wiki
PLEASE ENJOY

Saturday, July 2, 2011

Asami Kado/ 門あさ美 - La Fleur Bleue (1988)



It's a beautiful Summer day here in Western Massachusetts. Yet, instead of mowing the lawn or weeding the garden, I'm compelled to put off such chores in order to share integral, underheard Japanese pop music with all of you. I've been saving this fantastic album, and such an idyllic Saturday afternoon as this one seems the perfect opprtunity to post Asami Kado's 1988 full-length, La Fleur Bleue.

I don't have a lot of information about this one. While this is a late-80s EMI release, there are heavy YEN vibes throughout, especially in the later half of the album. Somewhere between Technopop and the more melancholy side of Idol, La Fleur Bleue is unique in that it also indulges in the island-sounds "fusion" obsession of the time, but in a totally creative way. With light Dub movements throughout, the album is marked by ghostly reverb-drenched vocals and patient, deliberate instrumentation. I would compare it to Saeko Suzuki's best work or Dip in the Pool.

Track seven, "退屈と二つの月", is a cover of Tamao Koike's YMO-assisted "Automne Dans Un Miroir". Yukihiro Takahashi produced this album as well as Kado's 1987 album for EMI, Anti-Fleur. Tracks like "Oriental Flash" and "フォマルハウトー南の魚" particularly sound like Takahashi creations. Can anyone confirm any further personnel for this album? Kado's Japanese Wiki page lists frequent collaborators (including Kenji Omura), but doesn't specify who produced or played on what. Speaking of Koike, I've got an album of hers to share soon as well. Until then, enjoy!



門あさ美/Asami Kado
Le Fleur Bleue (1988) (JP)
EMI Japan

01 - ここにいるの
02 - 夢の音
03 - 窓辺の肖像
04 - 青空を抱いていたい
05 - ほとり
06 - Oriental Flash (Instrumental)
07 - 退屈と二つの月
08 - 睦事
09 - 白い花と赤い花
10 - フォマルハウトー南の魚

DISCOGS
JP WIKI
JP AMAZON
PLEASE ENJOY