Showing posts with label YEN. Show all posts
Showing posts with label YEN. Show all posts

Thursday, September 6, 2012

Tamao Koike - Unreleased Materials [REQUEST]



I first mentioned underrated YMO-associate Tamao Koike back in July '11 when I posted Asami Kado's La Fleur Bleue record, which covers Koike's "Automne Dans Un Miroir", which is simply one of the greatest technopop jams of all time. Koike was a model, actor and YMO back-up singer before releasing these songs. According to the JP Wiki, Koike worked on an album with Toshio Nakanishi for Sony that never came out. Shame!



This odds 'n' sods collection includes several versions of "Automne Dans Un Miroir", along with other assorted singles and compilation tracks. Lots of '80s Japan touchstones here: YMO-assisted technopop, island/fusion, molasses dub, Francophilia, studio collage, idol and Laurie Anderson-style avant-new wave. Check it out!



JP WIKI
DISCOGS
ENJOY

Sunday, March 4, 2012

Akiko Yano - Ai Ga Nakucha Ne (1982)



I've got a week break from grad school, so I'll hopefully be able to get a couple of posts up in the next few days. I'm still slowly fixing all the broken links in the archive. Anyway, here's a Technopop classic from Akiko Yano, Ai Ga Nakucha Ne, from 1982. Discogs provides a wealth of credits, especially when you combine the listings found here and here. These are perhaps the most detailed credits I've ever seen, and include "Nurse" and "Transportation".

Yano does it all here, with a lot of help from Sakamoto. The rest of the YMO/Yen gang show up as well, including Kenji Omura. David Sylvain sings the duet lullabye "Good Night" which closes out the album. Steve Jansen and Mick Karn from Japan also play on the album. Prolific session players David Rhodes and Shinichi Tanaka contribute as well. Kazuhiko Kato even shows up in the credits.



INFO:
Akiko Yano– Ai Ga Nakucha Ne
Label: Japan Records – JAL-1801 (LP), MIDI Inc. – MDCL-1252, MIDI Inc. – MDCZ-1227 (CD)
Format: Vinyl and CD
Country: Japan
Released: 1982 (LP), 21 Sep 1993 (CD)
Genre: Electronic
Style: Synth-pop

TRACKLISTING:
01. Ai Ga Nakucha Ne
02. Kanashikute Yarikirenai
03. What's Got In Your Eyes
04. Oishii Seikatsu
05. Michi De Battari
06. Onnatachiyo Otokotachiyo
07. Aisuru Hito Yo
08. Sleep On My Baby
09. Another Wedding Song
10. Donnatokimo Donnatokimo Donnatokimo
11. Good Night

PERSONNEL:
Akiko Yano: Production, Vocals, Arrangements, Keyboards.
Ryuichi Sakamoto: Production, Arrangements, Keyboards, Vocals.
David Sylvain: Vocals
Haruomi Hosono: Bass
Mick Karn: Bass, Vocals
Steve Jansen: Drums, Vocals
Yukihiro Takahashi: Drums
Shinichi Tanaka: Engineering, Mixing
Steve Nye: Engineering, Mixing
David Rhodes: Guitar
Kenji Omura: Guitar
Robbie Mackintosh: Guitar
Motoya Hamaguchi: Percussion
Hiroki Komazawa: Steel Guitar
Shigesato Itoi: Lyrics
Peter Barakan: Lyrics
Yuji Takahashi: Lyrics, Writing, Production
Masafumi Oka: Lyrics, Writing, Production
Kazuhiko Kato: Writing, Production
Hachiro Sata: Lyrics

Masayuki Takahashi: Artwork
Takashi Nomura: Artwork
Hiroshi Okura: Management
Chiaki Shimada: Make-up
Noriko Yamanaka: Nurse
Hayami Koshiyama: Transportation
Bishin Jumonji: Photography
David Wooley: Tape Operation
Michio Nakagoshi: Tape Operation
Renate Blauel: Tape Operation

DISCOGS
AMAZON
US WIKI
JP WIKI
PLEASE ENJOY

Tuesday, January 31, 2012

RS - Works I - CM/ Works II - TV/Inst. [REQUEST]




A lot of this material can be found in this previous post, but check out these slimmer releases (from the same year). These albums are pretty recent, and I've been busted for posting S's work here by Blogspot before, so I'm not writing exactly what this is here. You can buy these for cheap on Amazon.co.jp, and I would suggest doing so. As far as I know these were never released in North America, and go for decent cash on Amazon.com

Anyway, check these out, because they rule. Lots of perfect little Technopop jams like this one:



Discogs
And Discogs
Works I
Works II

Wednesday, August 3, 2011

Kenji Omura – Spring Is Nearly Here 春がいっぱい (1981) [REQUEST]



Happy to oblige a request from Blogspot user "theillmasta," Kenji Omura's third solo album Spring is Nearly Here 春がいっぱい from 1981. Fusion-master and YMO's touring guitarist, Omura sadly passed in 1998 of liver failure at the age of 49. Omura's earlier albums are more fusion-specific, but with this record Omura adapts more of an Technopop style, recruiting all of YMO (and associates) for an album more in-line with the Alfa Records sound.

Omura's pals from Yellow Magic Orchestra serve as his backing band, with Takahashi and Sakamoto helping with production and writing on select tracks. YMO/YEN friends Akiko Yano, Toru Okada, Hideki Matsutake (Logic System), Shinya Hayama, and Kazuhiko Kato contribute as well. Mainstay Chris Mosdell provides lyrics.

The album's style rests somewhere between gentle fusion and Technopop, with relaxed, deliberate instrumentation and scattered, textural vocals. Tracks one and three, "Intensive Love Course" and "Seiko Is Always On Time" present fusion whimsy up front with nevertheless still, deliberate synthesizer, with Sakamoto co-producing "Seiko". The second jam, "Under Heavy Hands And Hammers", is more melancholy, with grand, stately vocals and a mild guitar solo (both from Omura). This is the first of several moments that isn't completely successful, risking maudlin over-statement.



The two covers on the album are low-points as well, Omura & co. tackling George Harrison's "Far East Man" and The Shadows' "Spring is Nearly Here" (an odd track to name the album after). To me Omura's cover of Harrison and Ron Wood's "Far East Man" is an unadventurous version of a song I already don't like. This track really communicates the worst of Omura's fusion background, actually sounding like tedious 70s soft rock. Lyrically, it's hard to say if the selection is ironic, given the "white man's burden" message hidden beneath Harrison's good intentions. I'm no Beatles scholar, so if anybody knows more about what Harrison is getting at with this track, let me know. Nice backing vocals from Akiko Yano anyway. Two tracks away is a surprise Shadows cover, morphing the 60s British pop group's proto-surf song into a half-finished sounding jam, nevertheless displaying the same level of underwater stasis as much of Spring is Nearly Here.



"Knife Life" brings the listener back to a proggy, fusion place, but is ultimately all tension and no release, plodding along to its unsatisfying fade-out. "The Prince of Shaba" is more successful, an assertive signature-Omura instrumental. This jam resolves itself nicely, with a lot of reverby, surfy "island-sounds" guitar, whimsical synth chirps and added percussion from Shinya Hayama.



Still, the highlights of the album are the two Takahashi-written tracks, "The Defector" and "Maps" (an YMO original). "Defector" is very Alfa, with Takahashi's signature driving yet pensive rhythm arrangement and decorative, trilling synths and guitar flourishes. Interesting that Peter Barakan wrote the lyrics to this song and not Mosdell. "Maps" is wild, a heavy marriage between Omura's fusion guitar and the YEN/Alfa aesthetic. These two jams have assertive vocals, Omura even doing his best David Byrne impersonation on "Maps".

While I can't give this album a ringing endorsement, there are enough solid jams here to warrant a listen, for sure. Certainly, this fills a gap in the YMO/YEN/Alfa story, and in Omura's more fusion-centric discography, as his most Technopop solo material. Enjoy!



TRACKLISTING
01. Intensive Love Course
02. Under Heavy Hands And Hammers
03. Seiko Is Always On Time
04. Far East Man (George Harrison cover)
05. Knife Life
06. 春がいっぱい (Spring Is Nearly Here) (Shadows cover)
07. The Defector
08. Inaudible
09. Maps
10. The Prince Of Shaba

CREDITS (from Discogs)
Music - Kenji Omura (tracks 01, 02, 03, 05, 08, 10)
- Yukihiro Takahashi (tracks 07, 09)
- Ryuichi Sakamoto (track 03)
Lyrics - Chris Mosdell, Peter Barakan (track 07)
Backing Vocals – Akiko Yano (track 04), Yukihiro Takahashi (track 07)
Bass – Haruomi Hosono
Drums – Yukihiro Takahashi
Guitar – Kazuhiko Kato (track 04), Kenji Omura
Keyboards – Ryuichi Sakamoto, Toru Okada
Percussion – Shinya Hayama (track 10)
Piano – Akiko Yano
Programmed By – Hideki Matsutake
Vocals – Kenji Omura
Track 04 lyrics and music - Ron Wood, George Harrison
Track 06 music by - Brian Bennett, Bruce Welch

Label: Alfa Records
Catalog#: ALR-28013

Discogs
Japan Wiki
PLEASE ENJOY

Saturday, July 2, 2011

Asami Kado/ 門あさ美 - La Fleur Bleue (1988)



It's a beautiful Summer day here in Western Massachusetts. Yet, instead of mowing the lawn or weeding the garden, I'm compelled to put off such chores in order to share integral, underheard Japanese pop music with all of you. I've been saving this fantastic album, and such an idyllic Saturday afternoon as this one seems the perfect opprtunity to post Asami Kado's 1988 full-length, La Fleur Bleue.

I don't have a lot of information about this one. While this is a late-80s EMI release, there are heavy YEN vibes throughout, especially in the later half of the album. Somewhere between Technopop and the more melancholy side of Idol, La Fleur Bleue is unique in that it also indulges in the island-sounds "fusion" obsession of the time, but in a totally creative way. With light Dub movements throughout, the album is marked by ghostly reverb-drenched vocals and patient, deliberate instrumentation. I would compare it to Saeko Suzuki's best work or Dip in the Pool.

Track seven, "退屈と二つの月", is a cover of Tamao Koike's YMO-assisted "Automne Dans Un Miroir". Yukihiro Takahashi produced this album as well as Kado's 1987 album for EMI, Anti-Fleur. Tracks like "Oriental Flash" and "フォマルハウトー南の魚" particularly sound like Takahashi creations. Can anyone confirm any further personnel for this album? Kado's Japanese Wiki page lists frequent collaborators (including Kenji Omura), but doesn't specify who produced or played on what. Speaking of Koike, I've got an album of hers to share soon as well. Until then, enjoy!



門あさ美/Asami Kado
Le Fleur Bleue (1988) (JP)
EMI Japan

01 - ここにいるの
02 - 夢の音
03 - 窓辺の肖像
04 - 青空を抱いていたい
05 - ほとり
06 - Oriental Flash (Instrumental)
07 - 退屈と二つの月
08 - 睦事
09 - 白い花と赤い花
10 - フォマルハウトー南の魚

DISCOGS
JP WIKI
JP AMAZON
PLEASE ENJOY

Sunday, March 6, 2011

Apogee & Perigee Chojiku Korodasutan Ryokoki

UPDATE: It seems that the OP link is dead. I've re-uploaded the album HERE.



Is there other life in space?
Do neighbor planets have
Indigenous creatures?
Can humans live permanently in
colonies in space?
Do Extraterrestrials visit Earth?
Can humans travel to the Stars?

I had been planning to post the 1984 "soundtrack" album Apogee & Perigee; Chojiku Korodasutan Ryokoki, for quite some time. No need now, as I've just noticed that Ongaku Poland has recently upped it (Although I was already a follower of OP, I found the link initially via The Common Chant).

Discogs sez: "Apogee & Perigee are robots, this is a concept album or soundtrack to a musical that was never produced that tells their story. The album credits Apogee & Perigee as performers, but the lyric sheet includes some writing credits, and in addition the 2006 CD re-issue provides more information."

Testpattern seem to be the major creative force, but Discogs lists several YEN all-stars as contributors: Miharu Koshi, Koji Ueno, Miyuki Hashimoto, Hosono, and the one and only Jun Togawa, who can be heard singing in a duet with Yūji Miyake on the bittersweet "月世界旅行 (Gessekai Ryokō)" above.



All the available information is collected here, at Fanboy.com. I'd like to learn more about the two robots and the actual project, and what plans Yen and Testpattern had for its future. My Japanese trading buddies seem to not remember the album having much of an impact during its initial release. This is a real shame, as the music throughout is fantastic, an accessible yet complex emotional blend of optimism and melancholy, Greek tragedy played out as space-faring AI romance. The project is heavy with the kind of empathic projection that is often directed at non-living but "life-like" machines. A francise could have easily been created. See also the Sakamoto-scored film Where the Toys Come From for another example.



This really is an excellent, underheard album. That there seems to be an international swell of blogs posting this material is really exciting to me, and a good incentive to me to upload more and post more.

01. Testpattern, Masao Hiruma - Prologue (Hope)
02. Jun Togawa, Haruomi Hosono, Takashi Matsumoto - Gessekai Ryokou
03. Koji Ueno - Professor Persec
04. Miharu Koshi - Animaloid MV II: Tragic Comedie
05. Miharu Koshi - Sakasakenjin Egas
06. Jun Togawa - Theme Of Apogee
07. Miyuki Hashimoto - Queen Glacier
08. Jun Togawa - Theme Of Perigee
09. Jun Togawa, Haruomi Hosono, Takashi Matsumoto - Shinkuu Kiss
10. Testpattern - Hope

PLEASE ENJOY